In 1985, a group known as the Parents Music mental imagery Center (PMRC) was organized by Tipper Gore, the wife of a prominent Washington senator. Because the PMRC was comprised mainly of wives of Congressmen, people in the music industry began referring to them derisively as the "Washington wives" (Ressner, 1991, p. 17). Congressional hearings were held in 1985 in which the PMRC expressed its concerns not only over " abominable" material in music recordings, but to a fault over the use of Satanic references and images of drug abuse. The logic behind these concerns was that such references perplex a negative
The production is Fear. (1990, August 9). whorl Stone, p. 24.
Goldberg, Michael, and Jeffrey Ressner. (1990, April 19). Retailers take on stickering. Rolling Stone, p. 26.
Another rap group which has not been able to evacuate prosecution on obscenity charges is 2 Live gang. This Florida group, lead by Luther Campbell, ran into trouble as a result of their phonograph album As Nasty As They Wanna Be. The album features a number of songs, such as "Me So Horny," which graphically describe sexual acts. Members of the band, as well as a record store owner, were arrested for selling the album to young people. The 2 Live Crew case represented a precedent in both(prenominal) the music business and the legal system.
Specifically, the case was the first time that a record album had ever been declared obscene, and it was also the first time that a band had ever been arrested and "aerated with obscenity strictly on the basis of speech" ("The Issue is Fear, 1990, p. 24). By contrast, the earlier Dead Kennedys case had involved a poster rather than a record, and it had concerned a opthalmic image as opposed to lyrics. Many people in the record industry took up arms against the legal censorship of 2 Live Crew. For example, Rolling Stone magazine ran an column that questioned the judgment that the material on the album was "obscene." Citing the Supreme solicit decision that obscenity is defined by a omit of exquisite merit, the editorial claimed that it is hard to believe that "an album that virtually 2 million people have bought, laughed with and danced to has no prize as a creative work" (p. 24). Even though many people found As Nasty As They Wanna Be to be offensive, and many others considered its lyrics to be immature, there were manifestly still many others who found some type of artistic value in it.
Recently, members of the American record industry have indicated that they intend to fight back against government intervention. For example, at the 1990 late Music Seminar, Reebee Garofalo
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