There ar a number of similarities between Platos The fiction of the spelunk and the movie, The Matrix. Although they appear to be different, both depict a function imprisoned, the release of the prisoner, and the prisoners new responsibilities. Plato illustrates prisoners chained to a wall inefficient to move and look around. Once the prisoner is released, he stairs into a new life and truth, having to readjust. Now that the prisoner is released does he have a sense of obligation to the other prisoners to give lessons them as well? This is a question that Plato raises in The Allegory of the hollow out. On the other hand, The Matrix portrays the human race enslaved in a computer generated world of saturnine reality. Neo, once enslaved, is without delay released in the real world and has to decide if he wants to advertize for his human race or live in ignorance. Overall, the principal(prenominal) characters undergo a number of changes as they experience threesome stages of transitions: imprisonment, enlightenment, and a new found responsibility.
In both The Allegory of the Cave and The Matrix there is some nature of imprisonment. Platos prisoners are in an underground den facing nothing but a wall of shadows. ...truth would be literally nothing but the shadows of the images (Plato 316).
To these prisoners these shadows are real and that is all they know. They have a sense of warranter and understanding for their life because they have adapted to this lifestyle. Neo is blindly imprisoned in the matrix convinced what he is life sentence and feeling is reality, but he has a sense that something is not right. Trapped in a false reality with false memories he knows nothing except that he is unfulfilled. He is meddling for something, some truth or reasons for the question...
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