The film Apocalypse Now, directed by Francis Coppola, is slackly speaking based upon Joseph Conrads novella Heart of Darkness in which some(prenominal) works share similar themes and motifs. Both are accounts of homos travel into his self, and the discoveries to be made there. They are also about valet de chambre confronting his fears of failure, insanity, death, and cultural contamination. Symbols such as the river and the boat preside in both(prenominal) as do the primaeval personas of Kurtz and Willard/ Marlow. Francis Coppola skillfully internal the visually beautiful, ground-breaking Apocalypse Now with the surrealistic and symbolic sequences cast up the confusion, violence, fear, and nightmarish madness of the Vietnam War. The deterioration of the culturally accustomed valets gentleman in exposure to foreign assimilations and savagery play list roles in the way of portraying the human psyche. All the States contributed to the make of Col unrivaledl Kurtz, jus t as all Europe produced Mr. Kurtz. What is reflected by the Kurtzs is the threat of loss of self, loss of centrality and the displacement of Western shade from the perceived supreme center of history. The evil side of both Kurtzes was brought out by the fear of new cultures different from their own, and their unfitness to deal with this fear.

This is indicated by the disconnection between the opening conformation of Kurtzs report By the simple exercise of our will, we can discernment a power for good practically unbounded and the block sentence Exterminate all the brutes. This fear of other cultures is phrase by the condescending attitude of the Imperialist way. Coppola makes a top side to show this with the shocked exp! ression on Captain Willards get word when whilst on a navy boat armed to the teeth, single of his crew is killed by a spear thrown by a native in the bush. The Americans bombing... If you want to get a full essay, order it on our website:
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