When I inaugural picked up Their Eyes Were Watching matinee idol my initial presumption was that it would be a stereotypical memorial about Jim Crow era oppression of African Americans by the white majority. However, after I read through the first 2 chapters I realized that my initial presumption was make base; far from being a book circumstantial of white/black race relation, Zora Hurston had written a narrative that is, first and foremost, a study of black feminism that is contrasted against a back drop of gender diversity and race relations. The foundation that captivated me the most, and the one I was least expecting to find, was Janies empiric journey of defining happiness, and the constant roadblocks, both eternally and internally derived, that kept her from reaching her goal. Whether it was her grandmother burdening her with her racial history and demanding that she lie with a better life as defined by her, or Janies own acceptance of Jodys ambitions as adequate substitutes for her own, Zora Hurston slowly built Janies character from a naïve child who blindly goes where point to woman who is adequate to(p) of seeking out happiness on her own.

In sum total to the main story of Janies maturation into a content human Zora Hurston also manages to comment on African-American culture, oftentimes in surprising ways. The topics that struck me the most was Zoras tell on criticisms of black culture. From the porch chatter that, to paraphrase, as long black kinsfolk are jealous of each other we will neer work to build a better life, to Mrs. Turners overt harm of those who were to black, there was a consistent theme of blacks alteration the advancement of other African Americans. Combined with the gender inequality that was constantly present, Zora presented a view of black society that I was not expecting when I first picked up the book. If you want to reward a full essay, order it on our website:
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