Wes Anderson's 1998 Film Rushmore

Shot without dialogue, except for some(a) ambient background conversation, the scene depends entirely on the director's style, the cinematography, and the actor's expressiveness. The desktop is the pool area of the Blume home on the afternoon of the twins' birthday party. Blume sits alone, drinking whiskey, absently tossing golf balls into the pool one at a time, illustrating his boredom and alienation. He notices his wife flirting with a young tennis pro, scarcely she just gives Blume a nipping look. Blume gets up, shakes hands with a man who gives him a shove toward the pool, but hangs on to him to prevent him from falling in. Blume, however, climbs the ladder to the high dive, and does a cannon-ball into

The film in ecumenical is made up mainly of short scenes, with long scenes and close-ups relieve for meaningful scenes like the pool scene.

When Blume dives into the pool, the camera holds on him, show an exhausted, melancholy man vividly illustrated by Bill Murray as Blume. The colors are somewhat flat, like Blume's life, and the pool is change with algae and clogged with leafs, a visualization of Blume's mind. When Blume looks at the boy, and hence away, it is as if he is considering just staying submerged, a kind of cobbler's last wish. Unlike Max, Blume has pretty much given up on life. The 1965 Kinks' dark blues ballad "Nothin' in This World poop Stop Me Worryin' Bout That Girl," played during the scene sets the emotional tone.
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